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Color grading is hard. It takes years to master and is usually the last thing you can fully understand. Having LUTs makes your workflow much less frustrating as you will be able to focus on getting the perfect shot while not worrying about a consistent look.
MIXING AND ADJUSTING
It's important to know which LUT's work with which shot. Outside vs inside and different camera settings can change the outcome.
INTRO TO CINEMATOGRAPHY
A talk from Overland Expo titled: "How to make your travel films more cinematic."
WHY YOU NEED LUTS
Color isn’t an afterthought.
It’s the heartbeat.
In my opinion, it can make or break a film.
And when you’re doing everything yourself, LUTs aren’t just a shortcut - they’re survival.
Having a workflow I trust lets me focus on story instead of fighting my footage.
Without this system, I couldn’t create this much content.
COLOR IN A MINUTE
Color grading used to be the thing that slowed me down the most.
Now, it’s the thing that speeds me up.
THIS IS FOR YOU IF...
- You are looking for inspiration.
- You are still trying to find your voice.
- You need a faster workflow.
- You’re still dialing in your look.
- You shoot in different conditions and need flexible tools.
- You care about the why, not just the final look.